santeria discography
Santeria (1998)
- Dege Legg - Vocals, Guitar
- Rayan Pancratz - Bass
- Krishna Kasturi - Drums, Percussion
- Matt Gautreaux - Djembe, Percussion
- Embryonic/White Picket Fences
- Burnt Eclipse
- Speed of Sound
- Perihelion
- So To Speak
- Kill City
- Moonrock Mountain
This is where it all began. 8 songs of twisted, underground, spacey hard rock & roll by 4 young weirdos, trapped in the swamplands of southern Louisiana.
Recorded in Colorado in 1996, released 1998.
Apocalypse, Louisiana (2000)
- Dege Legg - Vocals, Guitar
- Primo - Guitar, Background Vocals
- Krishna Kasturi - Drums, Percussion
- Matt Gautreaux - Djembe, Percussion
- Jay Guins - Bass
- Rob Rushing - Percussion
- Battle Hymn (spoken word collage)
- Square Root of Zero (hippie death jam)
- High & Rising (live)
- Wrong End of the Day (live)
- Morningfall (live)
- Bloodlines I (live)
- I Want You Right Now (live)
- Deathtrip (practice room)
- Like I Dream (live KRVS)
- Earthmoving Machine Ballet Co.
- Paper Flowers (unreleased)
- Psychology Today (live on porch)
- The Shadow Tower (unreleased)
Full-length album filled with live tracks, radio appearances, demos, & unreleased songs.
House of the Dying Sun (2003)
- Dege Legg - Vocals, Guitar
- Primo - Guitar, Background Vocals
- Krishna Kasturi - Drums, Percussion
- Jay Guins - Bass
- Rob Rushing - Percussion
- High & Rising
- Deathtrip
- Daddy's Little Bad Girl
- Wrong End of the Day
- Laredo
- Hellbent Woman
- Main Man (The Drifter)
- Morningfall
- Strung Out on a Dream
- Cain's Way
- Zixox
Listening to it is like gazing into a kaleidoscope of our world: the supernatural howl of fogged swamps and open fields, country-buzzing power lines, Bible Belt guilt trips, cotton mouth delusions of redemption, grand mal hallucinations, BBQ pit amplifiers, the bitter/sweet sad longings of persons trapped in small towns, forsaken and forgotten by the rest of the world. It's a concept record of sorts, I suppose, and the concept is "rock de la southern", minus all the Confederate clichés that seem to serve as convenient gimmicks for those who lack imagination.
This is a picture of the New South; one that is fairly multi-cultural, somewhat sympathetic, dogged by ghosts of the past, filled with contradiction, and yet, still strangely proud. Don't know how else to describe it without sounding pretentious, so I'll quit here. We bankrolled this recording ourselves. It's done. - DEGE LEGG
